This is a quick post about the slow process of creating a representational painting using the classical, atelier method.
It starts with the drawing and transfer stage, before even beginning to paint.
- careful, thorough drawing
- copy and reduce for a small "poster"/study
- apply paint on back of drawing
- trace drawing transferring it to a prepared panel
- paint the small poster, working out value and composition issues
|Drawing, copy and preparation for transfer.|
This is the drawing, transferred to a neutral grey, gessoed panel, with the first pass of painting begun.
The finished poster is a sweet little painting - only 4.5x6". I'm looking forward to displaying a collection of these little guys - like family snapshots!
Finally, the "real" painting starts. Transfer steps are repeated with the full size drawing and it's time to begin the actual painting!
Patience, that's what it takes. It's a long process but the effort is well worthwhile. Spending time with the still life set up - drawing, tracing, painting, tracing again and painting again - brings a greater level of familiarity. Subtle differences in color warmth and value become easier to find. It's true: the more you look, the more you see, the better the painting.
|Roseville Vase and Plums, 9x12" ©2013 Dorothy Lorenze|
An exciting development, since adopting this classical method, is that my artwork will be represented by Greene Art Gallery in Guilford, CT, beginning in November. I am thrilled and honored!
Right now there is an awesome exhibit of still life and trompe l'oeil paintings by the renowned artist Ken Davies and his Atelier which I can't wait to see!
Gallery representation is an exciting milestone and it also means that my website must be updated. During the transition www.dorothylorenze.com will be inactive for a few days. In the meantime, if there is a painting you are interested in you, can reach me by email at firstname.lastname@example.org.
Thanks for viewing my art and traveling this creative road with me!